![]() This is a good and refreshing change as long as one spends time studying new features. The new Avid no longer looks and feels like Avid one has known for decades. One huge change that has happened to Avid is, in 2019, for the first time in 30 years (yes, since 1989) the interface underwent a complete overhaul in June this year. Of course, resellers also sell complete systems, and Avid also provides information on ‘ideal’ systems, that expert users can buy and configure. Avid software is available as subscription, so one pays monthly or annually. It’s not a system any more, but just a software, and users add their own system, monitors, speakers, and hard drives. Over the years, Avid has changed drastically. Avid’s media handling particularly for long timelines, large amounts of media, and organisational capabilities, is unparalleled. So, to start with, a look at the state of Non-Linear Editing systems in Mumbai and India, as we enter the last quarter of 2019, and into the last year of the second decade of this century.Īvid Media Composer is by far the favourite among editing systems for mainstream theatrically released films. ![]() This is my first of what is planned as a regular column on trending technologies in post, NLE, VFX and so forth. The State of the NLE in Indian Film and TV ![]()
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